Because the way Mixed In Key’s analysis is written to your files is crucial to how useful it is going to be to you, there are clear instructions for all major DJ programs. The huge flexibility as to where this info is written, the accuracy of it, and the advanced features (there’s a piano keyboard for checking key analysis, for instance – where else will you find that?) are all still present and correct, with the new features simply welcome additions to how the app works. After a few seconds on each track, there’s your key, energy and cue info, all added and correct, and it’ll be present and correct next time you launch your DJ software. Underneath all the additions, though, the basic workflow is the same as it every was: Import your tracks, tell Mixed in Key 8 what to do with the info it gleans from them (ie where to “write” that info to the best place will depend on the DJ software you’re using, and there are clear guides in the built-in documentation to help you understand and decide), and… set it going. You can’t change your track filenames according to metadata though, which is a shame, as you can add key and tempo info to track file names, so why not add more flexibility into this feature now there’s an integral tag editor, too? It’s basically Mixed In Key’s own MetaBliss ID3 editor built right in to the app, and it means you can clean up your files, folders and playlists, editing artists, track titles, comments and all other info, including for multiple tracks, just as easily as in iTunes. The tag editor is basically Mixed In Key’s own MetaBliss ID3 editor, now built right in to Mixed In Key 8.Īnother big improvement here – and a timely one seeing that Apple seems determined to make iTunes bit-by-bit completely unsuitable for DJ library management – is a “bulk” tag editor. You can now edit where the auto cue points are dropped, and even import them from Serato and Traktor (alas, there’s no import/export of cue points from Rekordbox DJ). Taking the idea a stage further, a new “Cue Curve” feature attempts to show likely places where cue points should be dropped via a system of “peaks”: The top of a peak indicates where the software feels a cue ought to be (seem min pic). Mixed In Key 8 also includes something the developers are calling “X-ray Vision”, which is basically a whole-track waveform view that separates beats from melodies, meaning it is in theory easy to spot where cue points should be dropped (incidentally, it’ll drop up to eight automatically for you in places like the first beat, the start of the verse and so on). What’s more, you can view and edit your cues from Serato and Traktor, too. It’s all well and good having auto cue points, but not if they aren’t now user-editable in the software that dropped them, right? Well, now they are. This is one of the big areas that the latest version improves on. And as of the last version, Mixed In Key also introduced auto cue points: you could have it add cue points where it felt they ought to be to your tracks, and they’d show in your DJ software. In Use How you write the key information (and other stuff, like energy and BPM) to your files can be customised depending on what DJ software you’re going to be using to play the music.įor a while now, Mixed In Key has also given you an “energy level” for each song, to help you determine its “dancefloor friendliness”.
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